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Stepping out from behind the piano/drums of Melbourne indie pop three-piece the Basics for the third time, Belgian-Australian multi-instrumentalist Wally De Backer, aka Gotye's first solo record in five years, Making Mirrors, reveals a love of the '80s pop scene, which extends far beyond the usual influences of the current nu-synth brigade. The hugely experimental follow-up to 2006's Like Drawing Blood doesn't discriminate against other decades, as evident on the impossibly uplifting '60s retro soul of 'I Feel Better,' the '70s West Coast harmonies of the ethereal lullaby-like closer 'Bronte,' the '90s Beck-esque scuzzy garage rock of 'Easy Way Out,' and the 2000s hushed, claustrophobic dubstep of 'Don't Worry, We'll Be Watching You.' But seemingly unaffected by the constant comparisons with the likes of Sting and Peter Gabriel, it's the era of early new wave, dub, and worldbeat which defines its 12 tracks.
Stepping out from behind the piano/drums of Melbourne indie pop three-piece the Basics for the third time, Belgian-Australian multi-instrumentalist Wally De Backer, aka Gotye's first solo record in five years, Making Mirrors, reveals a love of the '80s pop scene, which extends far beyond the usual influences of the current nu-synth brigade. The hugely experimental follow-up to 2006's Like Drawing Blood doesn't discriminate against other decades, as evident on the impossibly uplifting '60s retro soul of 'I Feel Better,' the '70s West Coast harmonies of the ethereal lullaby-like closer 'Bronte,' the '90s Beck-esque scuzzy garage rock of 'Easy Way Out,' and the 2000s hushed, claustrophobic dubstep of 'Don't Worry, We'll Be Watching You.' But seemingly unaffected by the constant comparisons with the likes of Sting and Peter Gabriel, it's the era of early new wave, dub, and worldbeat which defines its 12 tracks. Free Quickbooks Pro 2007 Trial Version here.
